This book is an in-depth analysis of three of the most crucial years in twentieth-century Italian history, the years 1943-46. After more than two decades of a Fascist regime and a disastrous war experience during which Italy changed sides, these years saw the laying of the political and cultural foundations for what has since become known as Italy's First Republic. Drawing on texts from the literature, film, journalism, and political debate of the period, Antifascisms offers a thorough survey of the personalities and positions that informed the decisions taken in this crucial phase of modern Italian history.
Twelve years a slave - Having been born a freeman, and for more than thirty years enjoyed the blessings of liberty in a free State-and having at the end of that time been kidnapped and sold into Slavery, where I remained, until happily rescued in the month of January, 1853, after a bondage of twelve years-it has been suggested that an account of my life and fortunes would not be uninteresting to the public.
The Hardcore facility has fallen into the hands of terrorists, and Agent Drake is the only one who can take it back. Too bad he's trapped in the body of an enemy of the state, his own government has turned against him and a Russian nuke is missing.
Actins are a highly conserved family of proteins found in virtually all eukaryotic cells. They have prolific roles in cell motility - from the contraction of striated muscle to the movement of organelles within cells, and are known to interact with a diverse number of proteins families from myosins to gelsolins. This up-to-date edition gives a comprehensive account of actin sequence, mutation and structure as well as providing insight into ligand-binding sites and drug and toxin binding. Illustrated throughout, this modern text also contains an extensive bibliography for the interested reader.
In a bleak future, where government systems are breaking down and poverty and violence reign, on an abandoned farm in Montana, Susannah had a simple plan. She'd capture an alien, sell him to the resistance, and use the money to save her son. Instead, Susannah had an arrogant alien trapped in a pit who acted as if she was the prisoner. He wanted to kill her dog and insisted she should care for the wound he sustained when he fell into the pit she dug to trap him. On top of that, she had no way to know if the resistance got her message. Every day that passed, she doubted her decision to hand Azagor over to the resistance. But her son, her baby, was being held by people who considered him unclean because he was conceived out of wedlock-and time was running out.
Based on her popular Instagram @Hatecopy and her experience in a South Asian immigrant family, artist Maria Qamar has created a humorous, illustrated “survival guide” to deal with overbearing “Aunties,” whether they’re family members, annoying neighbors, or just some random ladies throwing black magic your way. We’ve all experienced interference from our Aunties—they are at family parties and friendly get-togethers, finding ways to make your life difficult, trying to get you to marry their sons, and telling you to lose weight while simultaneously feeding you a second dinner—and it has stunted our social growth and embarrassed us in front of our friends and cool cousins for ye...
Full Length, Drama / 3m, 2f / Bare stage This fascinating drama, staged to acclaim in London and New York, has in its cast of characters Lord Byron, Percy Bysshe Shelley, Mary Shelley and Claire Goodwin. The play is about radicalism artistic, political and more. Taking place in Italy, it concerns the characters' various ideas about radical politics and free love. Along the way, a number of serious questions are raised, not the least of which is why fervent radicals seem so often to be done in by their reprehensible characters. At the end of the play Byron attends the cremation of Shelley on the beach at Viareggio and delivers a stunning ovation over the pyre: "Burn him. Burn us all. A great big bloody beautiful fire." "Radicalism, artistic defiance, an intellectual rage. These are the virtues celebrated in this extraordinary dream play which begins, as it ends, on a foreign shore." London Financial Times. "A phantasmagoric play. . . . Brenton is celebrating the idea of the committed artist who seeks to stir and provoke sullen, defeated, bourgeois England. At the same time with clear eyed honesty, he shows how difficult it is to upset the moral order." London Guardian.