Ivor Armstrong Richards was one of the founders of modern literary criticism. He enthused a generation of writers and readers and was an influential supporter of the young T.S. Eliot. 'Principles of Literary Criticism' was the text that first established his reputation and pioneered the movement that became known as the 'New Criticism'. Through a powerful presentation of the need to read critically and creatively, with an alertness to the psychological and emotional effects of language, Richards presented a powerful new understanding both of literature and of the role of the reader.
"LaCapra offers an intriguing collection of essays to support both his enthusiasm for intellectual history . . . and his concern about the 'excesses' he finds in techniques and practices of the new social history. Admitting that the essays are polemical with a 'measure of exaggeration and a stylization of arguments, ' LaCapra seeks to restore the historian's appreciation for 'great' literature, the techniques of literary criticism, and the rhetoric that must be studied and analyzed to integrate this criticism into historical analysis. LaCapra calls for an engaged dialogue with the past on both an objective and a subjective plane. . . . [He] shows great familiarity with (and due respect for) recent innovations of social historians and theoreticians using the Annales approach. As a critique of their work as well as a defense of LaCapra's alternatives, this is a valuable study."--Choice
A new edition of a classic treatise on literary theory seeks to develop a sophisticated relationship between Marxism and literary criticism, evaluating the key works of such figures as Lenin, Trostsky, and Sartre as well as canonical writers including Charles Dickens and T. S. Eliot to demonstrate how ideology can play a productive and subversive role in literature. Reprint.
Edited by Patricia Waugh, this comprehensive guide to literary theory and criticism includes 39 specially commissioned chapters by an outstanding international team of academics. The volume is divided into four parts. Part One covers the key philosophical and aesthetic origins of literary theory, Part Two looks at the foundational movements and thinkers in the first half of the twentieth century, Part Three offers introductory overviews of the most importantmovements and thinkers in modern literary theory and Part Four looks at emergent trends and future directions.